Her eyes are in a bored frenzy,
whirring cherries in a slot
machine.
The question stalks her
and all her friends with their
advanced degrees
who decided to stay home:
what will I do?
They fasten onto
her daughter, so she can
watch and watch again
as Ruby goes
down
the
slide
for an eternity.
She reminds herself
between trips, that it is her
task
to be in this moment, then the
next,
even though at first she
didn't want to stay home.
But childcare took too much
of her salary,
and now studies say that
it's better, it truly is better
for her to be here.
But, it was an old woman,
the Ah Ma, who woggled --
their word for Ruby's
bowlegged, sashaying walk --
over to the slide to
reprimand her satin-capped
grandson trying to pry
Ruby's fingers off the bar
and force her
down
now
before she was ready.
That's what she's screaming:
I'm not ready.
Not ready, not ready.
No.
And the woman, in that instant
of infinitesimal distraction,
framed the grandmother,
who she would very much
like to draw, if she
Could convince the old
woman that she means no harm.
She didn't hear Ruby's
cascading scream
in time to halt her jettisoning
from the banked chute
into the bitter dust
beneath.
What did arrest her gaze
was the nimbus of brown
radiating over to where she stood
as she realized
that her child needed
attention, despite her own grief.
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